having brought 2011 to a close with two sell out releases (oh my days & highlife) under his belt, a growing fan base which counts ricardo villalobos, andrew weatherall, gilles peterson, caribou and jackmaster amongst its members. lining up residencies at the legendary plastic people in london, glasgows sub club and festival appearances this summer, auntie flo has been on a roll!it now gives us great pleasure in presenting the future rhythm machine.

nice price deal !!! die erste single aus dem hochgelobten debütalbum des kanadischen supertalents al spx aka cold specks als 7 inch. nach drei ausverkauften shows in london, fernsehauftritten unter anderem bei jules holland und ausufernden lobeshymnen seitens der presse erscheint das album >i predict a graceful expulsion< am 18. mai 2012.

new kanada enters the summer season with a hot three-tracker from torontos xi (orca, hotflush). fusing techno, house and what-ever that sound is coming out of london these days, christian anderson (aka xi) brings the futuristic party to the shaking subs of the nation.

infestus is groovements new breed of talent. hes a musician, producer and dj based in lisbon that participated in 2010s rbma london edition

makam – what ya doing: the hague based producer makam definitely didnt see jack play, simply because hes waaaay to young to be bragging about the history of house music. nevertheless mister guy blanken delivers a stunning anthem in the best of warehouse and music box traditions. keep those 909 rim shots coming please, but make way for the irresistible breakdown. makam – what ya doing (funkineven) more 909 sweetness comes from london based steven julien aka eglo-related vintage fetishist funkineven. while treating the original with respect, he adds some analogue acid dirt to it. in an everything but subtle way, that is. peak time stuff!

saulty and bradka, the two behind vilnius based downtown party network tag team, combine together more than 10 years of dj and production experience. their original productions have been signed by eskimo, loud east, bear funk. their remix work has been commissioned by pete herbert, kolombo, main stem, deadstock 33s, tj kong & nuno dos santos and even sander kleinenberg. their gig geography ranges from london to dubai. which doesnt give even a tiny shadow of doubt on their musical credibility and ability to rock the party. here they deliver the first single of another kind for best kept secret - killer bass line combined with irresistible jazz chords on a side and some metro areaish stripped down funkiness on b side. dance music machinery at its best. best kept secret - hidden sounds of vilnius house scene uncovered & presented by vidis.

having established their respected london club night and weekly podcast, bleep43 launch their label with an outstanding four-track ep. gerard hanson aka convextion / e.r.p., a regular guest at bleep43 since 2006, delivers el camino, an unmissable slice of emotive, absorbing electro-techno that shows just why he’s so revered by the connoisseurs. this is followed by the immense, symphonic electro of plant43’s teflon jacket, a worthy addition to his acclaimed back catalogue on ai records and semantica. on the b-side, orphan’s debut view from delfgauw is a stunning piece of deep 110 bpm techno and the sparse, well-crafted coarse materials by fellow newcomer jo johnson finishes a great first release.

burnski is a well known artist from his releases on 2020 vision, hot creations, dessous, morris audio, air london... let it be is a groovy tech house vinyl ep

b-stock! cover mit geknickter ecke! der 23-jährige hipster aus bath veröffentlichte bereits diverse singles auf renommierten labels wie planet mu, ramp, stuff und natürlich auf ninja tune. im mai erscheint nun sein mit spannung erwartetes debütalbum für das in london ansässige label, auf dem er gekonnt dubstep, house, funk, prog und electronica fusioniert und ein hervorragendes album abliefert. slugabed performt seit geraumer zeit in den angesagtesten clubs weltweit, u.a. im berliner berghain. time team beinhaltet auch die aktuellen singles sex und moonbeam rider. dubstep- und electronica-fans dürfen sich jetzt schon freuen!

mark and stefan have been making noises for a long, long time. born in an storm way, way back, they have forgotten more than most people know about the art of making people move their bodies in strange ways - graduating from the psychonautic academy of vibrational arts with 2 lfos, a couple of vcfs and 3 vcos… when theyre not working in the studio on their new psychedelic project pulp disco & the outcasts, theyre getting up to all sorts of bad behavior in ibiza, france and their home in london and manchester. warehouse parties, dirty dive bars and seedy strip joints have all been seduced by their magic over the years, and this is where the duo feel most at home. the wrong side of the horizon is where they were born…and dark dub-discos are now their only refuge. so when the moon is full, hitch a ride with them into deep space...

in its own way, speicher on kompakt extra has always been one of the most uncompromising series in the kompakt universe. starting out as a mere compilation series to tie up some loose ends from our regulars, it has since become a guarantee for vanguard dance sounds from all over the planet, with kompakt being able to invite and support electronic artists that comfortably inhabit both the delicate and the more deliberate ends of the electronic music spectrum. thats also where we found the highly versatile sei a, native glaswegian, now residing in london and immersing himself in the hybrid house, firm techno and bass-heavy scenes that happily co-exist within uks capital. he is well known to paint vivid and emotional sonic pictures that touch on rather more considered house and bass tropes, prizing feeling over fads and staging an impressive balancing act between hardcore beat science and lush, moody arrangements. this 12 inch is no different, featuring two stellar examples for sei as stylistic reach, rave stabs included. welcome to the many-faceted party that is speicher

almost four years after his last dial record single >miles< lawrence is back with another tribute to the sun. in the meantime he was still busy with a couple of releases for mule musiq, laid, smallville and dj kozes pampa imprint. his first mix cd >timeless< has been recorded lately for cocoon recordings. coming home to his own imprint prooves once more how modern house music should sound like: deep, moving and always surprising. >etoile du midi already travelled around the globe including tokyo, london, berlin and hamburg to finally being cut on vinyl after bringing the magic to all those lovely clubs worldwide

jack dixon, a london-based electronic artist draws influences from wolfgang voigt, mutant disco, autechre and tim hecker. quite an array of jumping off points and ones which are clearly evident throughout his intricate productions. his productions sound as much at home on a heaving, sweat-soaked, educated dance floor as they do on headphones in the sleepy urban half-light on the night bus home. from his earliest releases on brownswood, take, and silverback, jack has found love and support from amongst others mary anne hobbs, joy orbison, will saul, sinden and eats everything.

who is the great architect of the universe?! who is the supreme being?! both the square and compasses are architects tools and g used it to create our world. stefano is back on toffler vinyl with this new release, 3 original mixes pure dubstep experience, modern techno. this fantastic ep includes remix form toffler music headmaster quantec. fantastic deep and dubby floating techno. this is the release number 666 and it has been recorded at blues lab, a beatiful recording studio based in the core of salento. mastering/cut @ the exchange studios, london.

london based welshman chamboche returns to the label that launched him with the smoke screen ep. his unquantifiable sound swerves genre classification, hovering around house but with enough musicality to please the hardened disco head. swirling pads and a bubbling bass line set down the groove, while keys fall around horns and vocals to make the lead track a refined, uplifting work out. slowly unfolding, the track is hypnotic and absorbing, showcasing the style of a producer as able to work the mind as the hips. bicep toughen up the drums and work the arpeggio, stripping down the track and bringing the chicago influence higher in the mix. while the original subtly unfolds, their remix demands attention from the outset, building to a climax then recoiling for another bite at the cherry. thinking big, krl ramps up the intensity with a bright, kinetic reworking. aimed squarely at the peak time, he harnesses all of smoke screen’s most propulsive elements to really work the floor. tucked away on the b side is the expansive mind your mind. trademark chamboche percussion is woven around a blissful riff, swelling majestically to round off the ep in slo(w) burning euphoria.

march sees the formidable hypercolour deliver its most surprising output yet, an ep from none other than groove armada. tom findlay and andy cato need little introduction as groove armada. chart smashes, huge live tours and being part of the worldwide electronic music history aside, the duo have never lost touch with their acid house roots and have continued to be devoted to record buying, djing and the much maligned promo trawl. tom and andy have been avid followers of the label it seemed, since its inception. it was through label head jamie, meeting the guys back in 2010 at space in ibiza, and then continued communication via hypercolour promos, that led to an out-of-the-blue email requesting an informal hook up in east london and, within just a few days, a release was scheduled. that release is the >no knock ep<, four tracks that range from 808 fuelled old school cuts to low slung, moog-bassd electronic funk. each sound is lovingly crafted but there is an analog rawness throughout and every track has the sort of tweaked, off-kilter and occasionally awkward vibe that hypercolour do so well. it just takes a bit of imagination to guess what a ga release on hypercolour should sound but failing that, just check the release out as it wont disappoint.

nice price deal !!! arclight drop the incredible holographic ep. via jacques greenes label vase. heralding from london, arclight caught massive attention via leaking songs on youtube and their incredible take on electronic music. the holographic ep starts with the glorious a side vitamin d. starting with sun soaked chords sparkling beside ethereal vocals it slowly builds in texture & pace until finally climaxing into holographic. the title track is just as memorizing as its predecessor with much more driven base of percussion and hypnotic chanting cascading into the realm of the night / club. b-side purple city is a tale of vice and virtue, sitting somewhere between panda bear, bjork and radiohead - arclight are making some of the most interesting pop music around. dj support from optimo, mary anne hobbs, gilles peterson and james murphy

brand new label london label features superb karl o connor remix ! new from london based upstart diagonal comes a four tracker of tough, skeletal rhythms from label boss powell. revelling in mechanical hooks, cold, brittle percussion and unfamiliar time signatures, powell pursues new modes of dancefloor dread but is unashamedly indebted to the past to: (amongst others) the propulsive funk of suicide, the linear surge of nitzer ebb and the uncompromising force of mika vainio. no wave new york remains more of an inspiration than bass-heavy london, as does the vision and encouragement of friend and blackest ever black owner, kiran sande. diagonal would like to thank downwards boss karl o connor regis for his love and support and, of course, for the bleak and brilliant rework he has contributed to this first release. thank you karl...

coming not so far from the alps, opuswerk is a new talented artist in love with hardware equipment and already got some strong producing skills. the charismatic tall guy is a main actor in the renewal of the techno scene in geneva,throwing parties every week-end hes got a residency at milk club and will also open up for carl craig at electron festival yep opuswerk knows how to move a crowd. the a-side features futurewerk,the first of a collaboration with london based techno outfit fundamental interaction, is a raw dubby influenced track where chords and rhythm clearly aim for the dance-floor at 3am,or later depending on your countries going out habits. on the b-side,th13-13 is a flashback to the mid-90s,a squirting bassline with bleeps and blops,it plays subtly with a syncopated rhythm section and discrete chords. pure hardware jam!comes in 180 grams of black wax,carefully mastered at d&m,berlin. full printed sleeve designed by frederic laborde.

south london producer darren cunninghams new album, r.i.p, underlines actresss reputation as one of the most eloquent voices to emerge from the sub-bass nexus of london dance music. his intuitive and original grasp of beats, textures and rhythm puts him on a parallel path to dance music innovators such as drexciya, t++, aphex twin, autechre, burial and basic channel. absolutely essential release by one of the most exciting producers of the 21st century.

london-based producer/dj (kojak, ism) opens with an 8 min soulful number perfect for getting loft parties goin. b1 has disco funk vocals with serious basslines & dirty percussion, b2 modern dancefloor take on jazz-funk, with mesmerizing funky bassline.

the dream of another way, red light on her skin, smoke and sensuality in the air, broken promises and a mans embrace. born out of east london’s underground party, love fever records seeks to encapsulate the intensity of a+as late nights and early mornings. over 3 years of pioneering and party providing has seen love fever grow from a word of mouth disco in a dalston loft, to the party for the musically aware, and adult orientated mincers of london and beyond. warehouses, strip clubs, art gallerys and photographic studios have been transformed with many of the true disc jockeys in electronic music joining alex & andy to push the boundaries. a sound has emerged, cross genre, with a heavy leaning on sleaze, elitist house and romantic techno to create a pornographic energy.

next up on hot creations local london hero alexis raphael comes to the fore with two original tracks that display the producers intricate and diverse underground house style. tried and tested on a multitude of dancefloors, >into the light< is now unleashed to the masses with a quality business remix from the label heads hot natured.

this march the london based art editions and experimental electronics label we can elude control presents a new 12 inch by the sound artist and sculptor tom richards. through his custom built array of hardware richards has developed a tense percussive language, crafting immersive rhythmic compositions that explore aspects of structure, tonality and variance. his loop based patterns evoke a purist machine aesthetic reminiscent of a vintage analogue sensibility in collision with a super-modernist compositional approach and an exploration of post-techno ritualism. his production process focuses on a live improvised approach working across several custom made devices to built a rhythmic composite of interlaced tones and cyclical pulses.
including cd with live recordings by tom richards.

tetine are brazilian artists/musicians bruno verner and eliete mejorado and are stars of sao paulos avant garde music scene - uniting electronic music with brazilian dark sambas, performance art, spoken word, super 8 movies and whatever came into their heads. their musical influences range from bands such as throbbing gristle, peaches, tuxedomoon to kraftwerk, can, but it also incorporates heavily the more experimental side of brazilian musicians such as paulinho da viola, os mutantes, chico buarque or the tropicalists and rio baile funk artists. since 2002 they have lived and worked in london. three years ago they brought baile funk to the uk with their slum dunk radio show and subsequently with slum dunk presents funk carioca album. in 2005 they compiled the sexual life of the savages for soul jazz records - an album of obscure early 80s underground post punk from são paulo. in 2006 tetine played at the opening night of tropicalia - a revolution in brazilian culture - at barbican centre alongside brazilian multi-artist assume vivid astrofocus.

after three albums for as many labels, dean blunt and inga copeland, also of the group hype williams, release their debut hyperdub lp, >black is beautiful<. amid rumours circulating, and confirmed by their advisor denna frances, the album was recorded during a tremulous period for the two: inga copelands arsenal girls tryouts, deans waschbärgate trial (he was implicated in being behind a one night robbing spree across 16 taxidermists based in london and the south east, allegedly only for racoons) and his subsequent conversion to nation of islam upon being acquitted. >black is beautiful< is laced with their signature hazy glow and is full of crunched eurovision lullabies, kinetic drum machine jams, unsettling funk, smeared walls of synth, moments of unadulterated opiated bliss, mogadon rap, infinite coughs and insights into the odd sexual behaviour of crackers. the word ebony occupies the albums entire front cover space in bold white print. >black is beautiful< is red and white.

check the guns are back with the second to last instalment in their tape edit series. it is onwards and upwards for 004 where side one sees a deconstructed work out of the fatback bands >the girl is so fine<. track 2 >house down< is a no holds barred party tune for the discerning dance floor that will do all the work for you. on the flip >sugar samba< is a rework of the london records classic from julia and co. finishing off we have an edit of heatwaves >super soul sister< which is a gem of a vocal funk track that gives as good as it gets and leaves you wanting more.

spring has arrived. think daffodils, premature outdoor parties, ambitious bbqs and the new fina 007. continuing our trend for spotting emerging stars we have enlisted the talents of mannheim poacher turned gamekeeper, and air london starlet, steffen deux. after mixing the >5 years of 8 bit< compilation and appearing on cocoons party animals mix , steffen has demonstrated his ability to turn his loft club fame, into a reputation as a producer, not just a record maestro.

generic modification in effect here on this 3 tracker from seasoned producer and remixer travelling incognito, hush-hush and strictly on the q.t. . straight out of east london, pacific rim dubs mix up deep, bumpin house with soul and boogie, rude acid with funk and fidget grooves with pure disco. in a mash-up style, but without the comedy beats and not a whiff of irony in sight, pacific rim dubs vol1 takes a selection of infectious snippets from the soul/ boogie vaults and blends them into proper house floor fillers

for the next release, eklo are proud to welcome back london resident boris horel. >rhythm tramp< is a quirky journey filled with percussive force and cosmic influences, backed up with a deep and dubby dance floor remix by cabanne.

originally hatched in montreal, but currently based in london, djs anstascia and vivie-ann have established their musical blueprint by proving that they dont fit the quintessential stereotype they re toying around with. in the last few years, blond:ish has carved out its unique production recipe which focuses on the art of creating music that is organic and multi-dimensional. provocative basslines contrasted with smooth textures and sticky vocals blend into a genre of house that rebels against being pigeonholed to any specific category. now, fueled by the duos sharp taste-maker instincts and technical flair, they have not only charmed the industry masses but are set to release on the most notable labels around, including their psychedelic influenced >lovers in limbo< ep out on kompakt mid april, a record inspired by anstascias and vivie-anns interest in late 60s musical movements.

huxley is fast becoming one of the brightest lights to emerge from an exciting nascent uk music scene, emerging from the underground clubs of london, bristol, leeds and glasgow. young producers are honing their talents to create new sounds influenced by the their exposure to house, techno, dubstep and garage music. when 2020vision approached huxley we specifically requested that he created a four track ep that truly reflected his skills. he responded superbly and produced the out the box ep.

nice price deal !!! young legionnaire is paul mullen (yourcodenameis:milo, the automatic) on vox and guitar, gordon moakes (bloc party) on vox and bass, and dean pearson on drums. this ep is the follow up to their highly acclaimed debut album, >crisis works< (released by wichita in 2011). it features five brand new tracks and is released in a strictly limited edition of 500 copies on 10 inch vinyl. recorded in london and newcastle, it was mixed by alex newport (frank turner, death cab for cutie, two gallants) in new york. for fans of bloc party, yourcodenameis:milo, queens of the stone age, the bronx.

london based act natural records was founded in 2011 by jamie ward. focusing on quality house for the deeper dance floors, the aim is to release music with groove, warmth and soul, pushing respected artists whilst simultaneously searching for the next generation of producers and djs.

jonny white & nitins no.19 music turns up the heat with an incredible four t track sampler that is certain to set things alight at this years winter music conference in miami… no.19 music needs little introduction at this stage, having risen from obscurity in a few short years to become one of the most talked about labels on the globe, with some of the hottest producers in dance music. to coincide with this years conference the no.19 team has put together a stunning sampler featuring four tracks from the labels artists and friends. the sampler kicks off with the superb slo-mo house of la cueva, jonny white & nitins first musical collaboration la cueva. next up is the irreseresible clockwork. they deliver an outstanding slice of deep and ominous house heaven in the heady thing you have. on the flip and jonny partner in art department and all around good egg, kenny glasgow delivers a cool and deadly retro house feast that will leave them dead in their tracks…outstanding! finally, soul clap, tanner ross and sergio santos in the guise of sect are remixed courtesy of london house don jozif, with a shuffling super-jam perfect of the burgeoning spring madness… enjoy!!

b. riddim is luis manuel fidalgo fernandes sequeira, a 24 yr old portuguese living in london. the sounds on this ep encompass dubstep, dub reggae, grime, rave and electronica. b.riddim shows a deft touch on all cuts. his appreciation of and understanding of dub and its modern idioms sounds totally convincing over the whole ep.

the 100th release is a massive milestone and we know everyone is waiting to hear exactly what we are going to be releasing and how we are going to do it so listen up, the basic plan is as follows: four digital and vinyl releases spanning a year, cat numbers will be 100.1, 100.2, 100.3, 100.4 coming out roughly every 3 months. now we are onto our second release after the massive croydon girl by chris liberator, sterling moss and rackitt on suf 100 part 1, this time its the turn of four of the most notorious 303 raiders ever to grace the control tower of acid techno. on the a side suf co head honcho aaron liberator teams up with legendary smitten, routemaster and raw records artist the geezer for a jollied up bit of acid naughtiness, a straight up homage to david carradine and anyone that likes to drive recklessly about killing anyone that gets in their way. yes this is the return of crash n burn on suf, a superb follow up to their big hit!

>the loudest engine< is the third studio album of london-based australian indie rock band howling bells. the album originally came out last september. the band wrote most of the material whilst on the road supporting coldplay during the viva la vida tour.
180 grams audiophile vinyl pressing including full colour insert. features the bonus track arrows (acoustic version).

it marks the long awaited reunion of electronic pioneers vince clarke (erasure/ yazoo/ depeche mode) and martin l. gore (depeche mode), who have joined forces for the first time in over thirty years to craft an album which, demonstrating their mutual love of electronic music. after initial tentative discussions, and a meeting at short circuit presents mute festival in london, where they both performed, these two influential musicians and songwriters, began work on the 10-track album, working in a typically unique way with the pair working alone in their respective studios, communication only via email, exchanging files until the albums was ready. the album includes the recent 12inch ep1 / spock, described by the quietus as one of the best tracks of 2011, plus the forthcoming ep 2 / single blip. the album was produced by vince clarke and martin l. gore and mixed by the influential californian electronic artist Überzone / q.
comes as double 12 inch in full artwork gatefold cover, including cd-version of this album.

romare is a young london to paris transient crate digger, collecting dusty snippets of undead voices and antiquated rhythms. once in his underground lab, these pieces of yesterday are chopped, spliced and reattached to create the sound of tomorrow. this ep explores the connection between the history of african and african-american culture in the form of collage to create musical conversations between the past, present and future.
samples of songs, speeches, interviews, field recordings and films were carefully chosen and rearranged: rhythms from africa are integrated with voices from harlem, conversations about race and identity between writers and ethnomusicologists are constructed, speeches from activists are conjoined with the voices of prisoners. this process of combining pre-existing material has inspired three >meditations on afrocentrism<.
in keeping with black acres genre dodging output, romares merging of traditional rhythms of africa with the contemporary tempos of footwork and house is a bridge between the tradition sound palette of africa and future dance rhythm.
support: untold, moxie, fantastic mr fox, jamie xx

taken from the upcoming album! the fêted producers debut single for 2012 sees the nu house supremo back in regal form. >falling star<, crash lands this spring on menaces own label compuphonic and is a precursor for one of the most hotly tipped future house albums this year. kris explains, >listening to this track is like being pulled through the stars by your heart with your eyes closed.< he goes on further to add, >i wanted to create a space odyssey, opening your mind and taking you far away into another world.< menace also roped in legendary london based vj dons, hexstatic, to put together a live visual video for a truly out of the world experience

hissy fit is the brainchild of the moustache mamas, part berlin, part london composed of a us east-coast sensibility and a uk north east sense of humour. its a vehicle to be able to work with the artists and release the music they love, to give something physical (yes all releases will be pressed on vinyl) to the people that spend all that time dancing when the girls are djing. the mamas have then built up a reputation of being grade-a party starters across europe, playing at the rawest of parties, and outshining some of the boys in the boys club. their approach to djing is mirrored in their approach to starting hissy fit, the girls are serious about their music even if the music itself doesnt need to be serious. for its first release hissy fit welcomes aboard leeds based >death on the balcony<. this year they have been cosying up to the likes of soul clap and the wolf and lamb posse, as well as being booked to play all over the damn place causing hissy fits of epic (yet joyous) proportions. the ep contains three originals, and kicks off with >every time< a synth-laced house jammer that brings in the clap & the punch with just the right oomph for the kids on the floor.

slugabeds produktionen sind seit geraumer zeit in aller munde. inspiriert durch j dilla, west coast hip hop und uk bass kreiert greg feldwick aka slugabed innovative tracks, die sich aus der masse an dubstep- und uk bass-veröffentlichungen deutlich hervorheben. wir warten bereits mit spannung auf sein debütalbum für das in london ansässige ninja tune label.

lisbons vinyl-only assemble music isnt messing around. though the three tracks on this debut release from dorian paic each take aim at strikingly distinct dancefloors (london–frankfurt–berlin), they are unified by a credo of fine production values, functional savvy and a no-nonsense imperative to move.

simon bakers debut album traces saw the london based producer record a superb, honest reflection of his influences and took his deep house sound into a long playing format that was critically acclaimed across the board. let me in was one of two tracks that featured vocals from debukas that were highlights of the album, and it returns in original album version and with an excellent remix from lee curtiss. lee curtiss is currently riding high after great releases on spectral sound and get physical, an excellent cd compilation for watergate and as part of the visionquest collective. his version is a remix in the truest form, he treats the original with respect, but twists and turns it very much into his own track, perfectly fine tuned for club sets and soundsystems. this combined with the awesome original provides another essential simon baker and 2020vision collaboration

nice price deal !!! after a series of parties in london, wavey tones launches its premier platter in the form of the debut release from 25 year old putney-based producer emma davies, who hails from merseyside. although a new name to many, emma has been making bizarre electronic music for a good four years now, and already counts sully, zomby, adam sky (ex adamski) and congo natty as fans.

new yorks premier experimental drum & bass imprint, offshore recordings, teams with londons left of centre 170 bpm music tastemaker, organic, to present the osrorg series. the two combine mutual musical vision with a joint exploration of the subversive sounds. the creative essence of both new york and london are captured in this transatlantic collaboration - showcasing true urban breakbeat culture.

vier mal dillon ganz anders: nach dem sensationellen debütalbum von dillon und einer ausverkauften tour folgt nur die erste remix-single! disco, dubstep, house, techno, strobo-licht, cowbells, handclaps, piano, breaks - for those who know remixes mit dem house-maestro chaim aus tel aviv, dem disco-/house-newcomer call super (five easy pieces/london), dem hot n coming dubstep-duo kodiak (numbers/london) und den tech-house hit-lieferanten catz n dogz! tipp!

london-based deep house label ornate music come through with another gem in the shape of the latest ep from dubbyman, filled with robust, beatdown grooves. the ep opens with >time & sensibility<, creating an all-enveloping atmosphere with its oven-warm pads and rich analogue bass, punctuated with jazzy chords and vocal murmurings. >kirigi is coming<, meanwhile, showcases dubbymans excellent knack for crafting moodymann style textures with the depth to boot, combining a solid rhythmic snap with drawn out vocal landscapes and detroit-referencing melodies. finally >uuuuhhhh!!!!< closes the ep with its breathy intro and low slung filtered grooves combining with bubbling laser sound effect